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I drink moet not beck's beer, I stay dressed in slick gear Some boys see me gun nozzle and take a we fi jokeīoy you gwan dead before you see me gun smoke To tell you the truth, it gets no better than thisĪnd it's on, yo it's a must that I put it onĬ'mon put it on, big fella put it on and on I flows, so one of my shoes, wouldn't be clever to miss You think you nice as me? ha ha, youse a funny nigga 'Cause I'm a money getter, also a honey hitter I push a slick Benz, I'm known to hit skinzĪnd get endz and commit sins with sick friends Got more cash than Gotti (you don't know? ) you betta ask somebodyīig L is a crazy brother, and I'm a lady loverĪ smooth kid that'll run up in your baby mother I'm known to gas a hottie and blast the shottie

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The last punk who fronted got a mouth full of false teeth Nobody can take nuttin' from Big L but a loss chief Step to this you're good as gone, word is bondĬ'mon put it on represent put it on, c'mon! Got thirty-five bodies, buddy don't make it thirty-six I run with sturdy clicks I'm never hittin' dirty chicks I got girls that make that chick Toni Braxton look like whoopie I'm known to have a hottie open, I keep the shottie smokin'įront and get half the bones in your body brokenĪnd when it comes to gettin' nookie I'm not a rookie My guns go poom-poom, and yo' guns go pow-pow I got the wild style, always been a foul child

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Some brothers'd still be large if the crack never came out L keep rapper's hearts pumpin' like ReeboksĪnd every year I gain clout and my name sprouts

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The easy, fast & fun way to learn how to sing: Aiyyo, you betta flee hobbes, or get your head flown three blocks It was also sampled in dubstep artist Datsik's song 'Firepower'. “Put it on,” the slang…was like… “do your thing.” “Put it on Big L, put it on…” you gotta do your thing, you gotta represent. And “Put It On” just matched everything perfect. So they needed something bright, something friendly. Like, everything did was dark, and it was gangsta, and it was…what was the ? Horror-core. In an interview with HipHop DX, Lord Finesse described 'Put It On': wanted something with a hook that would be kinda catchy, and something they could get radio play with. The song was released on Novemas the first single from the album through Columbia Records/Sony Music Entertainment. The song was written by Big L, Roy Ayers and Anthony Best. The track was produced by Buckwild for L's debut studio album, Lifestylez ov da Poor and Dangerous (1995).

Bunny keeps you guessing.'Put It On' is a song recorded by American rapper Big L, and features American rapper Kid Capri. The thrill of the song is wrapped up in how it skirts any pressure to lay out its intentions, how it moves at its own whims. She may be channeling the want to be immaterial, the ability to evaporate like a wisp of smoke, but when she sings “I’m so nonphysical,” it comes with embodied longing, as if she’s aching for touch. She enters a new dimension in the chorus, switching from narrator to first-person, trading a Drake-like rhythmic delivery for her usual lithe, crystalline singing. Meanwhile, as if recreating the slipperiness of Bunny, Polachek darts through various images (blazing fireworks, a wet palette, a cut check), never resting long enough for you to grasp what’s next.

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It’s a characteristic display of PC Music alum Harle’s impulse to simultaneously send-up and pay homage to popular forms, with results too deliciously crisp to read as a joke. –Puja PatelĬasting off the gossamer avant-pop of 2019’s Pang, Polachek and producer Danny L Harle opt for a sound that is both commercial and weird: a deep, juicy bassline befitting of the Top 40, a “ yoo hoo” whistle, a sample taken from Harle’s giggling baby, even marimba plinks that conjure an island vacation with Kygo. It’s a one-act play of existential malaise and a sardonic anthem for those who can't help but seek out the spotlight. There’s some humor to it all forlorn, she recognizes that the world never stops turning, and that it’s fine to lie to ourselves if it helps pass the time. The song unfolds as a balancing act of vulnerability and expectation, of altruistic self-expression and the vanity of wanting to be seen, or even adored. “Working for the Knife' is her brooding, melancholic first major single back from this respite, and acts as an incisive warning about how much of our identity we give to our life’s greatest undertakings, and who we’re giving it up for. After a long and grueling world tour supporting her breakthrough album Be the Cowboy, the singer took time off in 2019, saying she needed a break from the “constant churn” of performance. Mitski would like to have a word on that. The saying goes that if you do what you love, you’ll never have to work a day in your life.

2022.09